repress - mf doom is one of the top-selling independent artists in hiphop history, but his life remains shrouded in mystery, and live performances are increasingly rare. live from planet x is a historic document: a fullly-realized, vibrant, engaging live stage performance from this enigmatic genius, captured in pristine audio at an important moment in his career. this is the first doom live record to ever be available on vinyl.
r.organic invites for its second installment the dynamic and colorful trio los bastoneros. this is a break and house infused release delivering three original tracks meant to hunt your mornings. supported by herodot, sepp, vlad arapasu and many others. history in the making. colored sleeve, 180g, limited to 200.
dialogue made its entrance into the los angeles events space six years ago, transforming the citys forgotten spaces into temporary windows to global clubland. in continuation of this legacy, the brand has launched a vinyl-only label with the same forward-thinking and minimally minded curation, dialogue records. ada kaleh rings in this next chapter with the labels inaugural release, >solace in repetition.<
moments in time is gearing up for an exciting and busy schedule of releases in 2021, featuring some of the worlds greatest up and coming techno artists, this hand-picked compilation by the labels founder rudosa stands as a reminder of those rave-inspired memories we all long for. to be transported back to a particular feeling or >moment in time<.
artscore presents the first proper longplayer from krtm. pressed on double vinyl, housed in full colour sleeve, download code included. limited supply - 1 copy per customer.
first ever vinyl release of the 2004 acoustic live album from pain of salvation. pressed on 180 gram double vinyl, housed in a gatefold sleeve with album-cd included.
back to life strikes again with another hidden jam from the past. originally released in 2006 going home ep was signed by a side-project of john beltran called nostagic. this new 2021 edition includes: placid angles, detroit moments and going home. highly recommended for all detroit ambient techno lovers!
science fiction continues their interplanetary mission, this time they reached uranus and discovered 3 quality analogue techno tracks, incl. a fine remix from xenogears aka the analogue cops...
after a year off, increase the groove records is back in force with a release eclectic af, like the vibe that has instilled into this label since its creation. the ep of alyhas & liam fattori, includes 2 remixes of the very tallentuous : idris bena and harry wills
limited repress! honest house joints to jam your needs! last year moscow based record shop wax ninja launched their own vinyl only label to reflect their vision of quality dance music. this time they continue with another imprint called suburbz which is dedicated to releasing a various artists compilations.
views is in charge for the fifth chapter of discarded gems. the talented producer drive us into his musical scenario made of layers of progy and ethereal melodies, building up a crescendo of intensity and deepness from the beginning to the end to this ep, all well soaked of rooted bass lines and snappy drum grooves
georgian artist sophia saze releases her debut two-part album self on francis harris kingdoms imprint, with part one dropping on cassette this june. the record embodies my story of duality within the context of identity, insomuch as the idea that every person has a deeper layer we donÕt show on the surface.
FOR THOSE OF YOU WHO HAVE NEVER (AND ALSO THOSE WHO HAVE) (2X12 INCH)
2x12 Inch 26.04.21
2021 repress - please note new artwork - nine of the densest ambient and meditative music pieces since the dawn of music!! sounds both extremely of this time, and of no time whatsoever. monolithic and stark but extremely warm, intensely personal, and for every one in every which way. we are very happy to present to you -for those of you who have never (and also those who have), an album by huerco s.
techno culturae records launches its first lp and debuts in the world of vinyl with a really hard release. composed of an original mix, by indeck and three remixes, d. carbone, electrorites and warind. dark sounds distinguish this output which represents a real introspection of the dark soul of the artists, where the distorted sounds of the drums and the properly saturated lead / pads, emphasize the frequencies, standing out in a basically hard techno mix that is really interesting. they follow the metrics in a very precise way with different pauses and restarts typical of a sound that is not monotonous, but hard and motivating.
nycs legendary sam records dropped the mysteriously named k.i.d.s dont stop- in 1981. it has it all trancey arpeggios, vocoders & vocals trading off with each other, brass & some heavyweight disco drums that helped propel it forth into the hallowed category of club classic. the record perfectly suited the open minds and open ears of discerning disc jocks in locales such as new york and chicago where this sublime piece of electronic disco sleaze would get plenty burn on the city s infamous wbmx thus having a huge impact, along with a whole host of other similar records, on the burgeoning house scene that was germinating in the fertile mid western soil. b-side cut do it again is a pleasant enough early 80 s disco jam, but compared to the futuristic burner that is dont stop on the other side theres one clear winner. a must have for all cosmic, disco, funk aficionados. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.
limited repress with new artwork!
it s 6:66am when chinaski elbows his way on to the floor. leather jacket. metal studs. bare arms. tattoos. with his hand freshly stamped this newcomer brazenly strides into the bordello. his style? try to pin it down. beats parry and pound with the intensity of an ebm hammer. yet, strolling through those meaty kick drums stride shimmering melodies that sport elements of new beat, italo and techno. the rakish grooves of -surfin dead- occupies the a-side. bold rhythms fly in the face of burbling bass and cascading chords as chinaski takes control. a body pumping work out follows. -unschuld der sinne- throws beat shaped fists from the needle drop as a brawl breaks out. born in the smoke machines of belgium, this bruiser balances its rough edged rhythms with beaming bars. there s to be no relenting as the closer screams like a nitro-fuelled missle. -ab in die ewigkeit- soars is a muscle-bound sky rocket set to keep any floor rumbling to the break of dawn.
the production and dj sets from metabomen aka krause duo is constructed for the most part as a free-spirited bunch with a special twist. it doesnt matter whether the material is with a jazz catalog, a frizzy sound, a dragging house or a techno press. an inimitable signature is not only clearly identified, no, but for the listeners of krause duo the good ol 10-second preview doesnt need three guesses. the answer from every contestant in the studio booth comes as if shot out from a cannon, so distinct is that krause formulation. from depth and nevertheless a clubby art with stay-fresh ideas. here, reliable doesnt mean stagnant. for the (up to now) 34th release from musikkrause, ian simmonds is comfortably on hand for both sides of the vinyl disc in the studio. out comes two monumentally deep waltzes full of raunchy charm and a knee-deep appreciation for jazz. the impact of both tracks is so spiritual that to speak of dance music is not the issue at hand, but rather something of a ghostly slam to the body. if you listen closely enough you can hear the diligent work of your own being. by means of the poetically-painted tones of simmonds and the clutter, which despite the many tonal designs and devices in this >authoritive-techno<, it has no fore-bearer. you can also tell the form of the work undertaken by the joint venture krause/simmonds isnt complete by a long shot even though in this manifestation there is nothing left to add. the distribution of dynamics appears to be so well-coordinated that there is simply the thrill of savoring such thoughtful club music
in case you felt like losing your mind in self-isolation, stomping grounds is back with four cuts to bring back your sanity. this is the first time we are putting together a split ep, shared graciously between romanian duo heerd and irelands noah skelton. starting off with the acid-edged peak timer >hellrot<, going through the atmospheric depth and hypnoticism of >kamaals groove< and >persistence<, the ep is neatly finished with a healthy >balance< of rolling hats and percussion.
it is extremely difficult to detect an ‘extrasolar moon’ and this analog dub techno cut has been proved to be as close to the free-floating planet as possible. its bassline-driven raw jacking acid techno is perfectly aligned with grad_u’s signature heavily echoed dub, and the only thing that protects one from escaping the orbit is flipping to side b. there one’ll find yet another 10+ minutes of goosebumps, this time erected by ‘geomagnetic storm’, a pure and emotionally vigorous dubbed out bomb. the 12” from redscale is an ultimate equity between the outer space of a dancefloor and the inner self of the mind. last but by no means least is the fact it has been mastered at the legendary dubplates & mastering in berlin
special one incoming on uncanny valley. this multi-media piece contains a versatile batch of tracks made in various manners with heaps of gear and comes in a lovely case with a foil inlay. place your pre-orders as we speak!
repress! 33rpm or 45rpm your choice freedomofspeed. collectors edition le mystère opus 303 / otb are available for the first time ever with 2 bonus tracks, cut on lacquers and re-mastered from the original sources, this would be a definitive edition.
within the first few seconds of this record, it seems obvious greg gauthier has been missing clubs as much as we all have. the french soulful stalwart takes a little detour from the soulful & vocal nuyorican feel he s known and renowned for, and takes us deep into chicago basement banger territory with do it. as for the b-side, -underground house rythm? to be honest, the title tells you everything you need to know, really.
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